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Writing: Invasion pop

Topic: "Heads Up" from: "Karen O And The Kids" BSO in "Where The Wild Things Are", 2009 "article for

Uala November.

Invasion pop

Juan José Mar tin

A year from Alicantino Instituto de Cultura Juan Gil-Albert breaks into the room space 365 of the MUA of Alicante to show the work of the sixteen selected in the XI Meeting of Contemporary Art.

Roberto Martinez

This contest has become a benchmark in the pop art is widely including visions of the city, national and international. Proposals are at this time we discover social analysis, cultural, political ... personal views about identity, representation or perception of reality through photographs, drawings, paintings, installations, videos ...

Antonio Fernandez

Thus we can find looks like Juan Carlos Cardinal that speaks of space and time, movement and mutation using the sculpture and its ways, or visions like the Angel Masip, which puts us in front of the excess mass media and their willingness to alter our way of seeing and understanding reality. Roberto Martinez creates translucent characters talk about the current instability of the subject against the capitalist reality. Photographs of Juan Martín reveal his vision of the oriental in our Western culture. Blanca del Rio seeks the essence sensory images of the past through photographic manipulation. Expression of space and movement using pen acrylic and paper is what we find in the work of Joao Ribeiro.

Joao Ferreira

is an invasion, an invasion of emerging "

Javier Moreno

Javi Moreno on the other hand, investigates the ways adolescents displayed and recognized on the network, reinterpreting their poses and frames with drawings, Antonio Fernandez also speaks of identification, in this case, the search for masculine identity through a technique considered feminine, stitching on paper bodies. Cartoons are just what Juan José Martín mixed with creating design modes, mandalas of war problem ... These are some of the looks, but more, it is an invasion, an invasion of emerging not miss it.

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