not always what it seems (Natalia Rios) 31.01.2011
The way to approach distorts,
already in my hands, made sleep
not hide their shortcomings and my faith
dying in their wrinkles.
With the momentum from my last force, flew
to play their promises, leaving behind the passion
of seconds before it was mine.
This life gives us lures
alone to live and then count
realities of salt to the wounds of those longings. Writing workshop virtual
Monday, January 31, 2011
Kanaccas Secret Oppinion
Hipostasis-Flex 2011
The Flexible (which you can see link here, or down a few post below) have been selected in the call 2011 of Mulieris Mulier in the Museum University of Alicante.
Theme: "Beautiful Beat" of "Nada Surf" in the album "Lucky", 2008 "
The Flexible (which you can see link here, or down a few post below) have been selected in the call 2011 of Mulieris Mulier in the Museum University of Alicante.
^ _ ^ I will let
the date of the exhibition!
Wednesday, January 26, 2011
Wedding Notification Rhyme
untimely Spirits (Alexander Vortex) 01/25/2011
Tuesday, January 25, 2011 22:36:03 [paginantes] SPIRITS spontaneous
From: Jesus Rodriguez
spontaneous SPIRITS
shoes were worn in Berlin
and eyelids felt
weak knowing that there are roads under the asphalt roads
designed by rough hands
of elves without human prestige.
not pick up the phone when you see my pictures
walking the streets of Dublin;
not kiss me if the love is gone,
or already gone at the end ...
Calcina my environment
fetched and conservatism
firm when the militia
tear my verse unfinished.
Visit the place where you flee,
atúrdeme with your aches
woman
unable to consider the cities I have ever been,
cities flavored skeptic hat
and spirits out of time. Alexander
Vortex
www.lacoctelera.com / alexandervortice
Tuesday, January 25, 2011 22:36:03 [paginantes] SPIRITS spontaneous
From: Jesus Rodriguez
spontaneous SPIRITS
shoes were worn in Berlin
and eyelids felt
weak knowing that there are roads under the asphalt roads
designed by rough hands
of elves without human prestige.
not pick up the phone when you see my pictures
walking the streets of Dublin;
not kiss me if the love is gone,
or already gone at the end ...
Calcina my environment
fetched and conservatism
firm when the militia
tear my verse unfinished.
Visit the place where you flee,
atúrdeme with your aches
woman
unable to consider the cities I have ever been,
cities flavored skeptic hat
and spirits out of time. Alexander
Vortex
www.lacoctelera.com / alexandervortice
Paginantes Blog Writing workshop virtual
Wednesday, January 12, 2011
Architects Favourite Laptop
LA MAGA FOR KIDS
was We whiz kids,
that created the worlds most beautiful
where ever we live,
between the time of milk and shoes,
between the moon and winter do not get tired Manuelita
ran to
message to the world of dreams,
and tell them that we are angry,
that is not ,
that miracles are eternal children. Seeking
in reverse to find
decile, I climb into four-
to heal my soul. Child
says María Elena Walsh,
pain is said where are you?
Who will sing to the castle
and child who laughs
and pain that is not silent ...
us was the whiz kids, we
was the magician.
LUIS ALBERTO 01/11/2011 BATTAGLIA
virtual
Blog Writing workshop Paginantes
Sunday, January 9, 2011
When A Scorpio Disappears
Mulieris Mulier Writing: Back to the future
The exhibition
exposed
Sant Vicent Road, s / n
Topic: "Peach, Plum, Pear" From: "Joanna Newsom" in the album "The Milk-Eyed Mender," 2004 "
article for this Uala January, 2011. Gerard Mas
Back to the future.
One of the most representative scenes and famous iconic blockbuster known in Spain like Back to the Future is one in which the protagonist, Marthy McFlay, go dispel his image in a photograph. In it we see how the representation is used as proof of the existence that evaporates to the possible absence. The entire plot based film that McFlay get the picture is not clear, in getting there. And although rejoins his parents, all just renewed, something happens, the reality has been altered and filtered by the existence and experiences of the protagonist himself.
Jorge Gonzalez
"Be Realistic. New Contemporary figurative " is the name that Bernabé Gómez Moreno, has called a collective where 10 painters and sculptors trap 3 fragments of the environment and return to us altered, changed, replaced by the vision of our reality.
Violeta Esparza
figurative artist claims to have reality faithfully reproduce and catch, made to last over time, but these young artists are no longer those mid-century Realists XIX, which technically were trying to transcribe what their decoded brain nerve impulses perceived their eyes. And even get closer to the vision of New Realists mid-twentieth century, those taking part in its context to discover a scene "more objective" (from their point of view), these young people become renewed Contemporary Figurative, still social, but they are deeper, more personal .
Juan Palomares
"the figurative artist claims to have the reality, and take it faithfully reproduce"
Torrego
The exhibition
to be in the Hall of MUA Sempere until February 12, highlight the technique and perfectionists who played fragments of reality in an objective manner, and create a fantastic everyday subjectivities other, so that we can bring them forward again and again, and make ours, looking for them in our own daily lives.
Luis Molinero
exposed
Between the speeches, we find that we speak of realities through fiction in futuristic explorers Mario Romero, paintings such as Jorge Gonzalez ironic about human psychology and the same representation. Decontextualized you will see sculptures, mixing different times to discuss current circumstances, in the Ladies of Gerard Mas, very real dreams poetic spaces Edgar Mendoza's hand, find the mixture of different spheres of everyday life in the work of Violet Esparza, and in canines aestheticization Lorena Amorós.
Sculptures: MarioRomero; Tables: EdgarMendoza
Luís Molinera trapping isolated figures in ordinary moments. Veronica Perales talks about sexuality, ecology and art depicting gorillas on his canvases. Juan Palomares creates surreal images, while José Sánchez Torrego and portray characters that take us deeper into their souls and representations of who they were caught. Javi Moreno looks realities pictures and caught playing on the internet. Samuel Salcedo grimacing faces used to speak scathingly of how identities are created.
Veronica Perales
Each and every one of them is able to bring the past, their past, present images that will be active whenever the audience the look. Figurative art is treated here as evidence the realities of our existence and will travel in time: it was past, present and future will be, to return to, because we need to understand, understand the world in which we live and where we live.
Design and Layout: Roman Plaza
"Be Realistic. New Contemporary Figuration." (Collective)
Sant Vicent Road, s / n
Monday to Friday from 10 to 20h. Saturdays from 10 to 14.
Saturday, January 8, 2011
Oven Sets Off Co Detector
Aurora 2 (Sylvia Cordero)
Saturday, January 1, 2011 8:31:54 [paginantes] short story: Aurora (2)
From: SILVIA
of craving dying of want, what remains after the love has been wasted? I loved you, you wanted me (on your way, but I wanted to.), What then? What happened to our hopes, our longings dim?
arrives autumn is October. The paths were covered with gold, pearls and brown ochres. I still chase the illusion of being happy, but over the years, the melancholy promises of fortune are withering. You, Aurora mine, under the sad look in your eyes of copper, what are you thinking? Where do you direct your thoughts minor? Steps are heavy man, but light and mellifluous their illusions, changing as the face of the moon.
hold your hat in his hands: a straw hat, the north wind that lashes out all his rage. Hold your hat and hope: the hope, as someone said, is part of the word hope, which is inextricably linked. Blog Writing workshop virtual
Saturday, January 1, 2011 8:31:54 [paginantes] short story: Aurora (2)
From: SILVIA
of craving dying of want, what remains after the love has been wasted? I loved you, you wanted me (on your way, but I wanted to.), What then? What happened to our hopes, our longings dim?
arrives autumn is October. The paths were covered with gold, pearls and brown ochres. I still chase the illusion of being happy, but over the years, the melancholy promises of fortune are withering. You, Aurora mine, under the sad look in your eyes of copper, what are you thinking? Where do you direct your thoughts minor? Steps are heavy man, but light and mellifluous their illusions, changing as the face of the moon.
hold your hat in his hands: a straw hat, the north wind that lashes out all his rage. Hold your hat and hope: the hope, as someone said, is part of the word hope, which is inextricably linked. Blog Writing workshop virtual
Paginantes
Monday, January 3, 2011
Koleston Color Comparison
Topic: "Lola" from: "Pastora" in the album "Pastora" 2004 "
Hipostasis is a new project that I have in hand ... The Flexible formed part of the exhibition last year in Salle the Hostal de Sal and sketches of Mary Walkers can be seen in the collective who opened the gallery-store BAMBA in Murcia and you can still enjoy.
Hypostasis-Felexibles
Lilith, pen , chalk and gold thread on canvas, 100x100cm. 2010
Eva , pen, chalk and gold thread on canvas, 100x100cm. 2010
Magdalena, pen, chalk and gold thread on canvas, 100x100cm. 2010
Hypostasis-Walkers or Walkers Mary
Artemis, a pencil sketch on paper, 29x29cm. 2010
(Walk between "male" and "feminine")
(Walk between "male" and "feminine")
Persephone, a pencil sketch on paper, 29x29cm. 2010
(Walk between life and death ls)
(Walk between life and death ls)
Promethea, Sketch in pen on paper, 29x29cm. 2010
(Walk between reality and fantasy)
(Walk between reality and fantasy)
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